Spectacular and exceptional pair of Louis XV ormolu mounted Meissen porcelain three-branch candelabra after a model by J.J. Kändler, circa 1740, eached marked with the ‘C couronné’ (1745-1749), raised on an open Rocaille base set with a central enamelled tole branch applied with oak leaves, acorns, small insects and Vincennes soft-paste porcelain flowers, terminating in three candleholders with drip pans.
Each porcelain group features a richly enamelled Jay perching on a mouldedporcelain stump applied with foliage and acorns, one accompanied by an alertred squirrel, the other standing over its fledgling in a nest below. Mark underone of the bases n. 45, original model created in 1735 for the JapanischesPalace in Dresden, h. 60 cm
(Previously restored, pieces missing, some flowers on the branch arelater, candle sockets and drip pans possibly married)
Provenance: Xavier and Leon Givaudan Collection,formed in the early 20th century Similar objects: - Christie's New York, Rockefeller Center, TheCollection of Carroll Petrie and European Decorative Art From the BirminghamMuseum of Art, Alaba, including the Eugenia Woodward Hitt collection, 31 March2016, lot 1290 - Sotheby's London, Property from theCollection of Sir Gawaine and Lady Baillie, previous provenance from WillamRedford, 01 May 2013, lot 21 - Christie's New York, Rockefeller Center,Property from the Estate of Mrs. Charles W. Engelhard, 18 March 2005, lot 38 - Christie's London, Magnificent FrenchFurniture and Works of Art, 12 December 2002, lot 80Spectacular and exceptional pair of Louis XV ormolu mounted Meissen porcelain
three-branch candelabra after a model by J.J. Kändler, circa 1740, eached
marked with the ‘C couronné’ (1745-1749),
raised on an open Rocaille base set with a
central enamelled tole branch applied with oak leaves, acorns, small insects
and Vincennes soft-paste porcelain flowers, terminating in three candleholders with drip pans.
Each porcelain group features a richly enamelled Jay perching on a mouldedporcelain stump applied with foliage and acorns, one accompanied by an alertred squirrel, the other standing over its fledgling in a nest below. Mark underone of the bases n. 45, original model created in 1735 for the JapanischesPalace in Dresden, h. 60 cm
(Previously restored, pieces missing, some flowers on the branch arelater, candle sockets and drip pans possibly married)
Pièce A (écureuil) :
Porcelaine :
Sur l'ensemble plusieurs trous d'airs
-oiseau : parfait état
-écureuil : patte avant droite cassée et repeinte pour masquer la cassure
-verdures : 14 feuilles avec parties manquantes et 1 réparée
-tronc : présence de plusieurs marques sous glaçure s’apparentant à des chiffres
Bronze :
-Base : plusieurs petits manques à la dorure situé sur l'ensemble du bronze ainsi que quelques craquelures, partie arrière meulée, poinçon au C couronnée,partiellement effacé
-Branchage et feuillages : plusieurs éclats à la peinture et restaurations ainsi que feuilles et glands manquants
-Fleurs : certaines manquantes d'autres postérieurs et plusieurs dégâts
-Luminaires: tiges filetées remplacées et bobèches et binets de différents modèles et probablement postérieurs
Pièce B (nid d'oiseau) :
Porcelaine :
-oiseau : plusieurs importantes restaurations au niveau du cou et de la tête, bec manquant, un fêle sur son aile gauche
-verdures : 16 feuilles avec parties manquantes, 1 feuille restaurée, 3 branches cassées dont 1 avec trace de colle et 1 avec un repeint, restauration probable entre la mousse et les champignons
-tronc : 1 fêle partant de la patte gauche de l'oiseau allant quasiment jusqu'à la base, 1 autre fêle plus profond partant de la base et remontant sur le tronc sur une longueur d'environ 10 cm
Bronze:
-Base : plusieurs petits manques à la dorure situé sur l'ensemble du bronze, marque d'un tampon à l'encre sous la base, probable re-soudure sur le pourtour de la base, partie arrière meulée
-Branchage et feuillages : plusieurs éclats à la peinture et restaurations ainsi que feuilles et glands manquants
-Fleurs : certaines manquantes d'autres postérieurs et plusieurs dégâts
-Luminaires: tiges filetées remplacées et bobèches et binets de différents modèles et probablement postérieurs
Givaudan Collection
Originating from Lyon (France), Xavier (1867-1966) and Leon (1875-1936) Givaudan are prime examples of successful industrialists from the pre-war years. The brothers excelled in the production of synthetic perfumes, soaps and chemicals and made their fortune with the dawn of the 20th century.
Xavier Givaudan began his education at the Martinière School in Lyon alongside the Lumière brothers. He finished his schooling with Pharmacist diploma. In 1891 he created a company in Lyon which later took on the name Givaudan-Lavirotte & Cie making chemical products and pharmaceuticals. His brother, Leon, studied at the Polytechnic School in Zurich and carried out research on essential oils and synthetic perfumes.
With joint ambitions, the brothers rented a large plot of land in Vernier on the banks of the river Rhone near Geneva at the end of the 19th century. Here they built a factory for the business then named “Société Léon Givaudan et Compagnie” which became known fairly rapidly among perfume producers. When conscripted in 1914, Leon brought his brother Xavier from Lyon to take care of the business in Vernier. He settled in Geneva and bought a large neo-gothic townhouse at the corner of rue de la Cloche and Quai du Mont-Blanc. After the war, Leon settled in Paris and the house of Givaudan spread beyond the Franco-Swiss borders with branches opening in Germany, Great Britain, throughout Europe, Brazil and in the United States.
These two erudite entrepreneurs developed a certain taste for 18th century art. Their personal wealth afforded them assistance from the best art dealers of the early 20th century in creating a refined collection. Amongst their advisors was Jacques Seligmann & Fils from Paris, an important dealer whose client base included the likes of Count Moïse de Camondo, Baron Edmond de Rothschild and Henry Frick. The family archives show that Seligmann assisted Xavier with the purchase of a magnificent pair of candelabras attributed to Rémond (lot 591) and advised the brothers on purchasing paintings, notably those of Hubert Robert (1733-1808) (lots 803 and 804) from the Charpentier Gallery.
Upon his death in 1966, Xavier left his fabulous collection of gold and enamel snuff boxes to the Art and History Museum of Geneva and received the same year the ‘Genève reconnaissante’ medal thanking him for his philanthropy in the Canton.
All the lots marked in blue throughout the catalogue are from the Xavier and Leon Givaudan collection (the first having inherited part of his brother’s collection after his death in 1936) and have been passed down through the family to the current owners. A selection of 18th century books from the collection will be sold in June 2017 at our Antiquarian book sale.
The entire collection can be viewed at www.piguet.com by inserting the word ‘Givaudan’ in the search engine.