Arts d'Orient et d'Extrême-Orient

Li Ai Vee (1932-2021), Peking opera scenes, a set of 5 paintings on paper, mounted as scrolls, 20th-21th century, in Lin Fengmian's style, four with signature and seal, 110x54 cm, 119x46 cm, 87.5x52.5 cm, 104.5x52 cm et 99.5x55 cm (paintings)

Provenance: Li Ai Vee collection (1932-2021), chalet Yu-Lan

We add a copy of the book Bambus im Wind: Mein dreifacher Weg als Malerin by Li Ai Vee, 1999.

李愛維 (1932-2021),京劇,五幅設色紙本,立軸,二十世紀到二十一世紀 119x46厘米, 875x52,5厘米, 104,5x52厘米, 99.5x55厘米

來自李愛維收藏 (1932-2021), 玉蘭木屋

Lot 1619
Estimate
CHF 300 - 500
Adjudicated(excl. fees)
CHF 500

Description

Li Ai Vee (1932-2021), Peking opera scenes, a set of 5 paintings on paper, mounted as scrolls, 20th-21th century, in Lin Fengmian's style, four with signature and seal, 110x54 cm, 119x46 cm, 87.5x52.5 cm, 104.5x52 cm et 99.5x55 cm (paintings)

Provenance: Li Ai Vee collection (1932-2021), chalet Yu-Lan

We add a copy of the book Bambus im Wind: Mein dreifacher Weg als Malerin by Li Ai Vee, 1999.

李愛維 (1932-2021),京劇,五幅設色紙本,立軸,二十世紀到二十一世紀
119x46厘米, 875x52,5厘米, 104,5x52厘米, 99.5x55厘米

來自李愛維收藏 (1932-2021), 玉蘭木屋

Condition report

Overall wear to the surfaces
Some folds
Some surface scratches
Some stains

Total dimensions, with mount:
1 depicting two women: 142.5x64.5 cm
1 with four figures: 170.5x53 cm
1 depicting four figures including a woman and three men: 147.5x59.5 cm
1 with two women and a lotus: 141x63 cm
1 showing a croud of figures: 139x67 cm

Extra information
icone

Collection of Li Ai Vee

Piguet auction house is honoured to present the second part of the collection of Li Ai Vee ( 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.

Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.

In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.

In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.

The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.

The third and fourth parts of Li Ai Vee's collection will be presented in our future sales in March 2025 and June 2025.

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