Arts d'Orient et d'Extrême-Orient
A set of 3 necklaces with pendants and 1 rigid bracelet in metal, coral and hardstones, Mongolia and China, 19th-20th century, various sizes, 57 cm long max approximately
Provenance: Li Ai Vee collection (1932-2021), chalet Yu-Lan
三件十九世紀到二十世紀項鏈和一件鐲 金屬，珊瑚和石類 中國和蒙古國
來自李愛維收藏 (1932-2021), 玉蘭木屋
Description
A set of 3 necklaces with pendants and 1 rigid bracelet in metal, coral and hardstones, Mongolia and China, 19th-20th century, various sizes, 57 cm long max approximately
Provenance: Li Ai Vee collection (1932-2021), chalet Yu-Lan
三件十九世紀到二十世紀項鏈和一件鐲
金屬，珊瑚和石類
中國和蒙古國
來自李愛維收藏 (1932-2021), 玉蘭木屋
Condition report
Overall wear to the surfaces
Some chips
Some surface scratches
A few traces of verdigris
Some damage to some marbles
Some knocks
Important: Sales conditions for regulated animal materials:
According to the Art. 6a, "Foreign buyers shall always check the relevant customs laws and regulations before bidding on any lot containing wildlife material such as, but not only: ivory, tortoiseshell, crocodile skin, rhinoceros horn, or whalebone. Hôtel des Ventes pays particular attention to complete its due diligence duties to ensure that all the objects presented in the catalogue comply with our laws and regulations of Cultural Property (CPTA). However, we are under no obligation to cancel your purchase and refund the amount paid if your lot cannot be exported, imported or if seized by a government authority."
Therefore, buyers are not entitled to cancel the sale in the event that they are refused export or import.
Please note that Piguet Hôtel des Ventes will not issue any CITES for export
Collection of Li Ai Vee
Piguet auction house is honoured to present the second part of the collection of Li Ai Vee ( 李 爱维 , born Eva Anita Li, 1932-2021), a Chinese-German painter living in Switzerland and a fervent collector of Asian art, mainly Chinese and Japanese.
Born in Shanghai, Li Ai Vee was introduced to painting as a child by her mother, herself an artist, and went on to become a pupil of prestigious painters such as Lin Fengmian (1900-1991) and Lu Yifei (1908-1997) in the 1950s. She then spent several years in Japan, where she was a disciple of the Zen master Rinzai Yamada Mumon Rôshi (1900-1988). There, in 1954, she was selected to paint several bamboos on the sliding doors of the Hiroshima Memorial.
In 1958, Li Ai Vee left China and settled in Zurich, Switzerland. In 1965, she met Zhang Daqian (Chang Dai-Chien, 1899-1983), and became a pupil of this internationally renowned painter. That same year, she was awarded the Medal of the City of Paris in recognition of her art.
In 1973, Li Ai Vee moved to Blonay to the chalet ‘Yu-Lan’ ( 玉蘭 , ‘Magnolia’), surrounded by a vast bamboo forest and guarded by carved Foo lions. It was there that she painted, surrounded by her extensive collection of Asian art, which she has enriched over the years. Li Ai Vee has put together a rich and varied collection of objects, combining monochrome vases, paintings and albums, scholarly objects, carved jades and divinities from the Asian pantheon, all of which she has combined with her passion for art.
The entire collection can be found by entering the keyword ‘Li Ai Vee’ in the search bar on our website.
The third and fourth parts of Li Ai Vee's collection will be presented in our future sales in March 2025 and June 2025.